Films Honored For Cinematic Excellence at The 5th Annual Philip K. Dick Sci-Fi Film Festival

THE PHILIP K. DICK SCIENCE FICTION FILM FESTIVAL ANNOUNCES FIFTH ANNIVERSARY AWARD WINNERS

The Six Day Event Honored Excellence of Independent Sci-Fi Cinema

Over 100 Screenings and Events Held In Honor of Milestone Year

The Philip K. Dick Science Fiction Film Festival has announced the award winners for its fifth anniversary event that presented over 100 films, exclusive premieres, virtual reality demonstrations and celebratory gatherings. The festival took place from May 25-30, 2017 and screened a lineup of science fiction, horror, VR and fantasy official selections with 15 films praised for their artistic and illustrious productions.

“The awards were presented to features, shorts and documentaries based on originality, brevity, depth of research and attention to craft,” said Daniel Abella, the founder and director of the festival. “The sheer variety of these films made our fifth anniversary film festival a success.” In addition to a record amount of screenings, the festival opened with a performance by singer/songwriter IAMEVE and launched the new panel series PKD Talks: Conversations with Luminaries, Visionaries and Mavericks with computer scientist Jacques Vallee, physicist Dr. Ronald Mallett, directors Maryanne Bilham-Knight and Caroline Cory, parapsychologist Dr. Harold Puthoff and more special guests.

The Philip K. Dick Science Fiction Film Festival congratulates the 2017 award winners:

BEST PHILIP K. DICK FEATURE:

credit: 377 Films, Nero Minded Productions, pictured: Ryan Munzert

The Tomorrow Paradox (2016, USA) — NYC Premiere
Director: Bruce Wemple
Synopsis: A young insomniac’s black-market sleep aid sends his mind time traveling into the future where he is the suspect in the disappearance of a girl he hasn’t met yet.

BEST BIOPIC:

credit: Maryanne Bilham-Knight/Estate of Ingo Swann

A Life Gone Wild (2016, USA) — World Premiere
Director: Maryanne Bilham-Knight
Synopsis: A biopic of visionary artist and writer Ingo Swann, the “father of remote viewing,” the CIA’s paranormal spying program and longtime friend of Philip K. Dick. Swann’s life on the frontier of the paranormal included creating the Stargate Project, “psychic probes” of Jupiter, Mercury, the Moon and Mars which detailed many features that came to be verified years later by NASA. Drawing on archives and new interviews, the film is also an exploration of the nature of reality as perceived via the six senses of the world’s most-tested psychic.

BEST DOCUMENTARY:

credit: Omnium Media

Gods Among Us: The Science of Contact (2016, USA) — USA Premiere
Director: Caroline Cory
Synopsis: Discover the jaw-dropping stories of individuals from around the world who share similar accounts of extraterrestrial and otherworldly encounters. Producer and host Caroline Cory takes the viewers on an extraordinary journey to uncover whether these seemingly independent yet parallel reports may actually be scientific evidence of a greater phenomenon at work. Through a series of groundbreaking on-camera experiments, irrefutable science, and interviews with leading scientists, viewers will find themselves pondering the nature of their own reality or yet the true origin of the human species and be shown that the traditionally unexplained is in fact far more attributable to science than fiction.

BEST HORROR FEATURE:

credit: Branbomm, Tirzitis Entertainment, pictured: Alexandra Zetterberg

Vilsen (2016, Sweden) — USA Premiere
Director: Rasmus Tirzitis
Synopsis: Several dead bodies have been found in Gothenburg, striking fear into the city’s population. Clues lead to suspicions of an occult group and a former reverend who has her own reasons for wanting to stop the killings, offers to help as the path is led down a world beyond understanding.

BEST DRAMATIC FEATURE:

credit: Lightboat Harbor

The End of the Lonely Island (2016, China) — East Coast Premiere
Director: Renchao Wang
Synopsis: A girl named comes to a lonely island to save the world in less than 24 hours as men in black are chasing her. What does she bring with her and how could she save mankind from the supernova explosion?

BEST AFRICAN AMERICAN, LATINO AND ANY PERSON OF COLOR SCIENCE FICTION FILM:

credit: Filmigrana, pictured: Juan David Salcedo

Synchronous (2016, Colombia)
Director: Ricardo Fernández Jiménez
Synopsis: A man whose consciousness has the ability to live in two parallel worlds simultaneously must help a dangerous gangster to win a bet. But everything changes when he meets a woman.

BEST ANIMATED FILM:

credit: Out of Our Minds Studio

Waking Dreams (2014, USA)
Director: Brad Jones and Jacob Sarah
Synopsis: A disabled young man overcomes his afflictions with the power of his imagination. The story drifts between fantasy and reality, combining elements of his real life with imaginative material inspired by the works of noted science fiction author Orson Scott Card (Ender’s Game).

BEST VIRTUAL REALITY:

credit: ARTE France, Fatcat Films, Saint-George

I, Philip (2016, France)
Director: Pierre Zandrowicz
Synopsis: In early 2005, David Hanson, an American robotics is developing its first android human. His name is Phil, a copy of the famous science fiction author Philip K. Dick. In a few weeks, Phil became famous on the internet and in the author’s fan circles and is presented in several conferences around the world. In late 2005, the head of the android disappeared during a flight on America West Airlines between Dallas and Las Vegas. Through the memories of the android and those of the author, the film offers an interpretation of Phil’s life.

BEST PHILIP K. DICK SHORT:

credit: Jane Topping

Peter (2014, UK)
Director: Jane Topping
Synopsis: Seeking to reframe Ridley Scott’s 1982 film Blade Runner, long considered a classic of dystopian cinema, with the intention of positioning the artist within the text and so implying that such radical gestures are not only warranted and necessary, but also implicit in the contemporary viewer’s experience of watching film.

BEST SCIENCE FICTION SHORT:

credit: A.T.

Sociopaths (2016, Japan)
Director: A.T.
Synopsis: A girl encounters an android on the street. She finds something strange about the experience and decides to follow the android to give it a “message.”

BEST EXPERIMENTAL SCIENCE FICTION FILM:

credit: Unity Technologies

Adam (2016, Denmark/Bulgaria/Lithuania/Sweden/UK)
Director: Veselin Efremov
Synopsis: In a dystopian future, an organic body is a privilege easy to lose and a convict awakens to the grim reality of having been transferred into a mechanical shell.

BEST HORROR SHORT:

credit: Insolence Productions

The Plan (2016, France)
Director: Pierre Teulières
Synopsis: In an isolated mansion, a creature follows the orders of his master in order to accomplish a plan that will change the world. Meanwhile, a desperate father is looking for his missing daughter.

BEST SINGULARITY, ESCHATON AND BEYOND FILM:

credit: Yann Giroud

Oak (2016, UK)
Director: Yann Giroud
Synopsis: Two brothers encounter a chance of salvation for humanity. Could post-apocalyptic tourism destroy it?

BEST WEB SERIES:

credit: Pfanderfilm, Quid In Shrapnel Productions

Mission Backup Earth (2016, Germany)
Director: Alexander Pfander
Synopsis: A ship is on a dangerous collision course with an unknown celestial body during an interstellar mission to colonize exoplanets and mission failure is not an option.

BEST TRAILER:

credit: Old Jim Productions

The Plague Doctor (2014, USA/Italy)
Director: Emanuele Mengotti
Synopsis: Upon being called to care for an elderly man, a young doctor finds himself trapped in deranged visions mixing his reality with the obscure legend of an ancient Italian mask and the echoes of a timeless love.

About The Philip K. Dick Science Fiction Film Festival:

The Philip K. Dick Science Fiction Film Festival launched in 2012 as New York City’s first festival of its kind and honors the enduring legacy of novelist Philip K. Dick, whose work maintains a strong influence over modern culture and society. Organized by individuals and filmmakers who understand the difficulties and challenges of presenting a unique narrative in a corporate environment, the festival embraces original concepts and alternative approaches to storytelling in the form of independent science fiction, horror, supernatural, fantasy, metaphysical and virtual reality films. Since 2013, the festival has held international gatherings in France, Poland and Germany and many domestic screenings throughout the year. For more information on the festival held for filmmakers by filmmakers, visit thephilipkdickfilmfestival.com.

About Philip K. Dick:

“Reality is whatever refuses to go away when I stop believing in it.” – Philip K. Dick
Philip K. Dick (1928-1982) was one of the 20th century’s most profound novelists and writers within the science fiction community. His exploration, analysis and beliefs led to the publishing of 44 novels and 121 short stories. PKD’s enormous library of works led to several film and television adaptations including Blade Runner (1982), Total Recall (1990), Minority Report (2002), Paycheck (2003) A Scanner Darkly (2006), Radio Free Albemuth (2010), The Adjustment Bureau (2011), Total Recall (2012), and Amazon’s series The Man in the High Castle (2015) and upcoming series Philip K. Dick’s Electric Dreams (2017). PKD’s enormously effective views composed of fictional universes, virtual realities, technological uprising, dystopian worlds and human mutation foresaw a significant observation at the current state of government and contemporary life. Though he is gone in the physical form, his philosophies live on in the techniques applied to present day narratives, films and ideals.

Connect With Us:
Website: thephilipkdickfilmfestival.com
Twitter: twitter.com/PhilipKDickFest (tweet the hashtag #PKDFestNYC) Facebook: facebook.com/ThePhilipKDickFilmFestival
Meetup: meetup.com/The-Philip-K-Dick-science-fiction-Film-Festival

You May Also Like

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.