FRIGHTFEST RESURRECTS ITS NEW BLOOD QUEST FOR NEW WRITERS
FOURTH YEAR FOR THE NEW HORROR FEATURE WRITERS INITIATIVE
IN ASSOCIATION WITH QUEENSBURY PICTURES
As Arrow Video FrightFest stalks the dark recesses of the big screen again, the search resumes for new writers in the horror genre through its New Blood initiative. New Blood reunites FrightFest with Giles Edwards of Queensbury Pictures with its mission to find emerging UK-based writers dedicated to the genre and nurture their projects from script to screen. Queensbury is ultimately interested in buying the finished script rather than the idea, and so, this year all successful final candidates if selected should be able to send even a rough draft of the first ten pages of their script through with their acceptance.
Already the scheme has delivered two new projects: Broadcast Signal Intrusion, written by Phil Drinkwater and Tim Woodall and directed by Jacob Gentry (The Signal) which World Premiered to enormous acclaim at SXSW 2021 and will come home to screen at FrightFest this August and The Change, written by Carina Rodney and optioned by acclaimed producer Jennifer Handorf (The Borderlands, The Chamber).
The successful shortlisted applicants will workshop their ideas in a group setting under the guidance of top industry professionals and genre experts. Among this year’s panel are 2021 Variety Magazine ‘Director to Watch’, recipient Prano Bailey-Bond, acclaimed writer / director of CENSOR, Jed Shepherd, co-writer of 2020’s genre sensation HOST and Rob Savage’s upcoming secret Blumhouse project, Najarra Townsend, actress and producer, THE STYLIST and Queensbury Pictures’ Giles Edwards.
Giles Edwards of Queensbury Pictures said, “Having already achieved the initial aim of New Blood, with the discovery of the phenomenal script Broadcast Signal Intrusion from Phil and Tim which then exceeded our wildest expectations as a finished feature, and the amazing Jennifer Handorf falling for Carina’s *absolutely wild* The Change, we’re more adamant than ever that the cream of UK genre writing talent is out there, just waiting for the opportunity to wrench our collective gut with their visions of true terror.”